When you see Benavent’s work, the first thing you will come to realize is its deep connection to place, exploring fragility through use of soft and hard materials.
“In a diaspora, often the only thing you can take from your home are memories. Suddenly everything can be a reservoir of memory,” Benavent says. “Old photos of a favorite restaurant, a bowl you used every day from your mother’s kitchen, even rusty tools from a childhood home can become treasured keepsakes and tangible connections to places that are not the same and may only exist now in this handful of remembrances. In a world that so strongly wants to deny you a place, they take you back to a time you didn’t even realize was so precious. Anything too big to fit in a suitcase is left behind forever. Items like photos are some of the last reminders of a home now long gone.”
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