This free lecture explores the iconography of treaties in contemporary art practices in the context of one hundred years of the Indian Citizenship Act. The Act itself centers on the human and the closing of the co-constitutive power of the US and Canadian territorial sovereignty. The act attempts to domesticate Indians—and their lands-- as citizens under the shroud of American Legal territorial sovereignty, moving Indigenous lands to the purview of the secretary of the Interior in the US and under the patriarchy of the Indian Act in Canada. In contrast to this moment, artists have long depicted an alternative vision of the relationship between belonging and land that exceeds settler borders and their colonial premises.
Join us in room 165 in OSU Thompson Library. A reception will follow.
Event Links
Website: https://go.evvnt.com/2893449-0